Returning to the interior, Joan had duly admired the Cheyne monument, but had been unable to disguise her amusement before the tomb of Mrs. Colvile, whom the sculptor had represented as a somewhat impatient lady, refusing to await the day of resurrection, but pushing through her coffin and starting for Heaven in her grave-clothes. Pausing in front of the Dacre monument, Joan wondered if the actor of that name, who had committed suicide in Australia, and whose London address she remembered had been Dacre House just round the corner, was descended from the family; thinking that, if so, it would give an up-to-date touch to the article. She had fully decided now to write it. But Mary Stopperton could not inform her. They had ended up in the chapel of Sir Thomas More. He, too, had “given up things,” including his head. Though Mary Stopperton, siding with Father Morris, was convinced he had now got it back, and that with the remainder of his bones it rested in the tomb before them. “‘A little bird whispers to me that Robert Phillips was seen walking across Richmond Park the other afternoon in company with Miss Joan Allway, formerly one of our contributors.’ Is that going to end his political career?” retorted Joan with fine sarcasm.!

The train drew in, and he found her a corner seat, and stood talking by the window, about common things. “So long as I live,” he answered.

She laughed. Her confidence had returned to her. “It doesn’t generally offend a woman,” she answered. Mary’s work was finished. She sat upright in her straight-backed chair before the table, her eyes half closed. It seemed so odd to see those little work-worn hands idle upon her lap. It took a long time, and Joan, seated on the bed, remembered a night when she had taken a trapped mouse (if only he had been a quiet mouse!) into the bathroom and had waited while it drowned. It was finished at last, and Mrs Phillips stood revealed with her hair down, showing streaks of dingy brown.